Drupal legends are legendary

I got this graph from drupal.org. It made me laugh out loud. It shows you which versions of Drupal, one of the more popular off-the-shelf content management systems, are used the most.

For some reason the webmasters of drupal.org decided to split the then current major version, 8, into all its medium versions. If you just looked at the legend, you might be forgiven for believing that Drupal 8 is very popular. (It is not.)

Below is the graph contrasting the popularity of major Drupal versions against the space they receive in the legend.

Note that I copied the top graph in March of this year. In the meantime, Drupal 9 has become the official current version.

Elon Musk according to Lefttube

Elon Musk is a wealthy industrialist and an aspirational character to many, certainly to himself.

If you call yourself the founder of Tesla, a company you bought, at the very least that means you wanted to be the founder of Tesla.

The disconnect between how Musk and his mindless fans portray Musk and the person he actually is, has been fuel for grateful left-wing Youtubers who have been having their fun with him.

Philosphy Tube takes us back to the counter culture of the 1960s, which included radical leftists who were operating in the realm of civil rights and of practical progression, and the new communalists “who built communes, LSD, free love, rock and roll, anti-authoritarianism, flower power, peace signs – the people you probably think of when you hear «60s’ counterculture.»”

Also the mechanics of flirting.

Donoteat01 takes a large axe to Musk’s preposterous and quite frankly dangerous idea of putting high-speed tunnels for private car transport under cities. Explains the concept of AM/FM (actual machines versus funky magic). Why ‘dangerous’? Because funky magic is the realm politics operates in, so plans for actual working public transport are being shelved while waiting for Musk’s impossible tunnel scheme to come to fruition.

Rebecca Watson points out that according to Musk, freedom means the freedom to open factories during a pandemic, not the freedom to refuse work during a pandemic.

Thought Slime: Nikola Tesla was an inventor, AG Bell was a copyist; Iron Man is a genius, the guy who calls himself the founder of Tesla is a fictional character.

Facebook: watch out for third-party page edit requests

Two years ago, I received an ominous e-mail from Facebook:

“Peope who recently visited your page recommended changes to the information on your page. Please verify the information below for accuracy. [List of changes.] If we don’t hear from you before [11 days from now], the information in question will be automatically updated.”

Users can tell Facebook to change your page.

This change will happen automatically unless you stop it; the change request is not a suggestion to you, but an instruction to Facebook.

Facebook will give you a short time to review and reject this instruction, namely 11 days. If somebody who wants to harm you, knows you are on holiday for instance, they have plenty of time to change your page.

No notification of this appears on Facebook itself. Instead you receive an e-mail from Facebook. This is problematic for at least two reasons I can think of. One is that you can unsubscribe from this type of e-mail, which you may have done for a variety of reasons. The other is that the e-mail comes from Facebookmail.com, a domain that was plagued by spam a couple of years ago, so a lot of people have blocked mail from this domain as a matter of fact.

Basically, and this is not the first time I have noticed this, Facebook outsources as much manual labour as they can get away with.

Also interesting is that Facebook sees Pages as a largely commercial product. Anybody can set up as many free pages as they like, but from then on will be flooded with requests to buy page views. The message is clear: if you want people to view your page, you will have to pay for it.

I have no solution for this, other than to not bet the farm on Facebook. If information is important enough for you to present on the internet, make sure all of it can be found outside of Facebook.

[screenshot of the dialog through which you can request changes to name, category, phone, website and e-mail address]

[screenshot of the e-mail message the page 'owner' receives]

[The Facebook dialog for managing change requests.]

You can find anything on Google these days

It is Google’s aim to make all the knowledge of the world findable, but is it also Google’s aim to own all the information of the world?

One day I wanted to find out about upcoming events in Amsterdam pop concert venue Paradiso and because I assumed the URL might not be paradiso.nl, I googled the venue’s name.

I ended up never going to the venue’s website, because Google puts together a sidebar (show above) that contains the following information:

  • Photos of the venue
  • A map of the location of the venue
  • The name of the venue
  • A link to the website of the venue
  • Directions to the venue
  • Reviews of the venue
  • A description of the venue (taken from Wikipedia)
  • The address
  • Opening hours
  • Seating capacity
  • Phone number
  • A list of upcoming concerts (date, time, band name)
  • A FAQ
  • More reviews, this time from elsewhere on the web
  • Links to the venue’s social media
  • Links to nearby venues

That is a very complete description. That is pretty much everything you would expect to find on the website itself. In many cases, you do not even need to go to the website anymore.

Is this good or bad?

This smells of the old days of portals, when a portal owner like Altavista or Yahoo pretended to be a safe, curated gateway to the internet, but in reality never really wanted its visitors to leave its site.

All of Paradiso’s side hustles remain invisible this way (currently, Paradiso has none). Instead, visitors spend more time with Google, which may be time spent looking at and perhaps even clicking on the ads Google displays.

The organisation whose website gets cannibalised for the juicy bits by Google may even prefer it this way – all the boilerplate in a handy, readable format on Google and all the details on your own website for those who are really interested.

Except would you not really rather have that sidebar displayed with search phrases like “fun night out amsterdam” instead of only with searches for your name?

(I accidentally searched that phrase. Brrr, the listicles! Read that in the same tone of voice as “oh, the horror!” please.)

My bullies are not your bullies

When I was much younger and in elementary school, I got beaten up daily—or so it feels 40 years later. In reality it was probably regularly but not every day.

Having largely outgrown being bullied in my teens (which is a thing that ran parallel to the other kids outgrowing bullying, I have no illusions in that respect), I accepted an elementary school reunion invite when I was 18.

The reunion was a congenial affair with everybody getting along just fine, but I was struck by the absence of a group of people. So I asked the organiser, a woman who as a child seemed to have gotten along with pretty much everybody in school, why certain former class mates weren’t there. Hadn’t they been interested? “But they were bullies!” came the shocked reply. Why would they invite bullies? Why indeed? Several of the people that were present at the reunion had been my bullies.

The uninvited kids shared another distinction, in that they had appeared to come from poor and dysfunctional backgrounds. My ex-bullies at the party, on the other hand, came from better strata.

I am not saying the organiser discriminated consciously against class. Quite the contrary. The uninvited kids had done the unthinkable, they had bullied everybody. Which, and you may find this interesting, immediately turned them into better people in my eyes, because they had not just picked on me. It hadn’t been personal. Bullying had been just their thing.

This memory popped into my head when the whole Zwarte Piet debate first got underway, before it got hijacked by racists and Zwarte Piet haters alike.

Will Russia replace the Progress cargo space ship by the Argo?

I came across a story of sorts on a website called The Moscow Times that said that Russia was planning to create a reusable rocket to compete with Elon Musk.

I did not know that Elon Musk was a rocket.

The details in the article from 30 September seem to conflict wildly. The rocket becomes a space craft and requires 10 billion USD to design, and should at that price compete with SpaceX’ Falcon 9 in the “carrier rockets market”.

Considering that in its 40 year existence, Progress has flown a little over 150 flights, and considering that according to the article, Argo would have to cost less than 20 million USD per flight, Argo would have to fly 500 times to recoup its design costs. That seems a tad on the optimistic, not to mention unbusinesslike side—normally you would want to recoup costs before that.

Luckily The Moscow Times linked to its source, an article from the same day in a publication called RBC, and even though I do not speak a word of Russian and had to read the whole thing using Google’s clunky translation service, that article seems to make a whole lot more sense.

What Roscosmos, the Russian space agency appears to want to do in the relatively near future (assuming the translation is correct and the publication journalistic), is to replace the current Progress cargo space craft by a new, reusable space craft called Argo for ISS resupply missions.

A secondary use would be to use the craft for up to 30 days as an unmanned orbital research platform that can safely return its cargo.

The Argo is intended to compete with the SpaceX Dragon and indeed looks a lot like it.

Some data extracted (hopefully correctly) from the article:

  • Launch platform: Soyuz 2.1b.
  • Start of programme operation: 2024.
  • Duration of programme operation: 10 years.
  • Expected cost: 10 million USD for launch and landing.
  • Expected costs per 20 flights: 196 million USD, including launch, landing and after-flight maintenance.
  • Expected price: less than 50 million USD per launch.
  • Payload capacity: 11 m3 or 2 tonnes, 1 tonne for return flights.
  • Flight time as part of a station: 300 days.
  • Total mass: 11.5 tonnes.
  • Construction: 52% composite materials.

Like the Dragon, only the capsule part of the space craft would be reusable, with the ‘trunk’ being jettisoned during the return flight.

There are a few things worthy of discussion.

The USA are planning to withdraw from the ISS in 2024. The ISS also has a natural life span; you cannot just put a space station in orbit and assume it will stay intact forever. The ISS was originally planned to last until 2013, but I have seen claims that with the right upgrades it might survive as a viable space station until 2028.

So what do the Russians plan to supply between 2028 and 2034? One observer, Vitaly Yegorov, suggests they might sell supply flights to an upcoming Chinese space station.

And who are the Russians going to compete with? SpaceX’ customer NASA does not plan to stay around that long on the ISS. But are they even considering Roscosmos for supply services? I am currently aware of Roscosmos selling them astronaut ferry services at 80 million USD per seat. That is the lucrative business that is currently under threat from SpaceX and Boeing. ESA and JAXA in the mean time have their own supply craft.

The article also points out that currently there is not much demand for returning goods from the ISS. In that sense, according to Yegorov, the Argo competes with other Russian spacecraft like the Progress-MS and the Soyuz-MS. Yegorov: “Perhaps there will be a need for the delivery of goods to a lunar orbit. And, I think, with a sufficiently powerful rocket, the Argo will be able to make interplanetary flights.”

So what is not clear to me if this Argo spacecraft is merely being designed to bring Roscosmos’ own costs down, or if they actually plan on selling services that use the Argo.

The most boring sport, Formula 1, is using Youtube to get better

I am not going to lie—when I watched Formula 1 in the 1990s, it was mostly because my fellow countryman Jos Verstappen was enjoying a moderate amount of success in the sport.

And when I started watching it again in the 2010s, it was because Jos’ son Max was entering the same sport, heralded as a great talent.

Formula 1, the fastest sport on earth, has a reputation of excess. Fast cars, beautiful women (not as drivers, unfortunately), cosmopolitan cities, and money and champagne flowing richly. Regardless of how deserved this reputation is, the sport itself, when you have stopped looking at everything that surrounds it and sit down to watch a race, is … often a complete snooze fest.

A Formula 1 race is started by the driver who proved himself to be the fastest during the qualification session a day earlier, followed by the second fastest car and so on.

The result is that the line-up on the starting grid is a pretty good predictor of not just who is going to win, but in which order the drivers will finish. Formula 1 races are often little more than glorified processionals.

It is true that the starting grid does not always predict the results. During the race, drivers will meet with accidents and mechanical problems that may throw them back a few places or even remove them from the race; teams that are good at qualifying, which requires being very fast for just a few laps, don’t always manage to bring that same performance for an entire race (‘race pace’); cars are required to pit at least once, which allows for undercuts and overcuts; and there are a thousand other small ways a race can be won or lost–and the fans know what these are.

That makes Formula 1 a (somewhat) enjoyable sport for the initiated. If you know what you are watching, if you can recognise all the tell-tale signs that something special is going on, if you know the ramifications of details as they unfold in front of you. But that also means that in order to get to like Formula 1, you must already be heavily invested in it. And most people start the other way around; they learn about a thing because they like the thing.

Formula 1 has taken to Youtube to remedy this is as good as they can. In good essasying tradition almost, they will extensively show you before a race what is going to happen, they will show you the race as it is happening, and then afterwards they will explain to you what you have seen.

Over the course of the two weeks between races, you can expect to see the following:

  • Five Shocking Moments – looking back at this race in previous years.
  • Circuit Guide – one of the current crop of drivers explains how they approach the track.
  • Drivers Press Conference – 5 drivers answer questions from the press.
  • Highlights from the 3 practice sessions and from the qualification session, one video each.
  • Paddock Pass – Will Buxton explaining the challenges for each team and interviewing a shed load of drivers.
  • F1 Live: the half hour run up to the race broadcast live.

After the race, Formula 1 will publish a video of race highlights and then the recurring features return:

  • Paddock Pass – another episode, this one post-race: reactions from the drivers.
  • Top 10 Onboards – the 10 most interesting radio messages between drivers and their teams.
  • Jolyon Palmer’s Analysis – a former Formula 1 driver dives deep on some of the things that made the race interesting, reviewing video footage.

And then there are videos that aren’t tied to any specific race, but that do work well in explaining how the sport works. In the past month or so we had:

  • 2019 Drivers’ First F1 Wins – what was the first win of the current crop of drivers?
  • Esteban Ocon’s Journey to F1 and Back – Ocon is a former F1 driver who will return next season.
  • How do F1 Drivers Explain F1?
  • Top 10 Cheeky F1 Innovations – innovations that were eventually banned.
  • Grill the Grid – two drivers of the same team quizzed about F1’s past.
  • 2021 F1 Car First Look – the regulations are ever changing and the car designs follow.

(I cannot embed these videos here, so I have linked to some of them above.)

All these features make it so you can get initiated in the sport in your own tempo, which makes it easier to enjoy the sport even if some of the races are, on the surface at least, boring.

Freelance.nl is bijna exclusief voor tussenpersonen (Dutch)

Ik ben een freelance webdeveloper. Dat wil zeggen dat ik als eenpitter en niet op basis van loondienst voor mijn beroep aan websites werk.

Het grootste deel van mijn opdrachtgevers vindt mij zelfstandig of via mijn netwerk. Ik heb echter ook een account op freelance.nl, de grootste marktplaats in Nederland voor freelancers (althans, dat was het in 2015, toen ik dat voor het laatst gemeten heb).

Eind jaren 2000 heb ik gemeten hoeveel opdrachten op freelance.nl door tussenpersonen/recruiters waren geplaatst, en hoeveel door echte klanten. Die meting heb ik herhaald in 2015 en zojuist nog eens (dus in 2019).

De verhouding klanten/recruiters was in:

ca. 2008 – 3:2

2015 – 4:5

2019 – 1:20

Hierbij mijn meting van vandaag van opdrachten voor klanten:

[schermafdruk: Geen intermediairs matchen - 531 matches]

en opdrachten via recruiters (het totaal is inclusief opdrachten voor klanten):

[schermafdruk: wel intermediairs matchen - 23 matches]

Bij dit soort metingen en vergelijkingen hoort een vrachtlading aan kanttekeningen.

Freelance.nl is niet alleen een van de grootste, maar ook een van de oudste nog bestaande online marktplaatsen voor freelancers in Nederland. De site werkt er voortdurend aan zichzelf te verbeteren, maar een resultaat daarvan is ook dat het lastig is om metingen uit 2009 te vergelijken met metingen uit 2019.

De site had bijvoorbeeld ten tijde van mijn meting uit 2015 nog een categorie webdevelopment, tegenwoordig is dat ICT, wat potentieel een veel wijder net is.

Daarnaast kan het best zijn dat de verhouding klanten:recruiters voor bloemschikkers er veel gezonder uitziet.

En zo zijn er nog veel meer redenen aan te voeren waarom deze metingen lastig zijn te vergelijken. Ik ben echter geen wetenschapper, maar een ondernemer, en soms werk je dan met de getallen die je hebt, niet met de getallen die je zou moeten hebben.

Voor mij persoonlijk is deze verhouding relevant. Ik heb nooit via tussenpersonen gewerkt – het zou te ver gaan om uit te leggen waarom, maar heel in het kort komt het er op neer dat perverse prikkels ervoor zorgen dat er bij opdrachten via tussenpersonen enorm veel ruis op de lijn zit, sterker, dat je vaak niet zeker weet of er wel van een opdracht sprake is – en dus maakt het nogal verschil uit of een site voor 70% uit echte klussen bestaat of voor 95% uit klussen waarvan je nog maar moet zien of het wat is.

Er zou nog een verzachtende omstandigheid kunnen zijn als het aantal opdrachten voor webbouwwerk hetzelfde was gebleven in absolute zin, maar dat lijkt niet het geval te zijn. Over ruwweg dezelfde periode gemeten (einde zomer) is het aantal opdrachten in 2019 een kwart van wat het in 2015 was.

Het kan zijn dat ik mijn mening over tussenpersonen moet bijstellen, maar waarschijnlijker is dat freelance.nl een minder opvallend puntje op mijn radar gaat worden.

Update 18 september 2019

Toen ik op een van die zeldzame opdrachten-voor-klanten wilde reageren, viel me de voorbeeldtekst van het reactieveld op:

“Beste recruiter, ik ben de beste kandidaat, omdat…”

Dat is toch echt tussenpersonentaal. Echte opdrachtgevers en echte opdrachtnemers noemen elkaar niet zo. Dus ongeacht de werkelijke situatie (die, zoals gezegd, lastig te meten en te vergelijken is), is freelance.nl blijkbaar een site die zich aan de opdrachtverlende kant voornamelijk als een site voor tussenpersonen ziet.

In English, in short: a popular website that I used to try and find work as a freelancer, has recently seen a large shift from mostly posting work by actual clients to largely posting work by recruiters. Since, in my experience, postings by recruiters rarely represent actual work, this makes the aforementioned website less useful to me.

Possibly crooked judge gets taken off case about definitely bad doctor

The court of The Hague is perhaps not known as the most even-handed in the world. This is the court where large, foreign media conglomerates shop for copyright jurisprudence. This is also the court that committed a crime in 2014 when it advertised for fresh judges, saying that women needed not apply. That was a clear case of discrimination based on gender, although I doubt anyone served even a day’s worth of gaol time for this.

So when this court dismisses a judge for being biased, that probably means something.

In an appeal in a case between Google and a doctor who had mistreated a patient, a judge was dismissed by the court over a possible conflict of interest, Emerce reported today. The plastic surgeon that this was about had been included on a blacklist, Zwarte Lijst Artsen, that bases its information on another, more opaque blacklist called BIG Register.

The people who run Zwarte Lijst Artsen run a companion blacklist on judges called Zwarte Lijst Rechters, which mainly focusses on judges who have helped absolve doctors from malpractice cases. As it happens, the judge from the initial court case, which was won by the doctor, was on this blacklist, so naturally Google appealed.

When it turned out that a judge in the appeal case also was on that blacklist, the court was unimpressed and unamused, and dismissed her.

At the time of the intial case, legal blogger Arnoud Engelfriet opined that the verdict was as expected and unremarkable: “Considering these facts, the verdict does not surprise me. I also would not call it trail-blazing.”

Engelfriets reasoning (refered to above by ‘these facts’) is a little bit hard to follow, so I won’t go into that here. Suffice it to say that if the BIG Register is so hard for average patients to find and peruse that judges see no reason to shut it down, and entries on another blacklist that is apparently transparent and usable are made hard to find, the court is basically saying that blacklists are de facto only allowed if they are unusable. And in my view that is not a fair weighing between the privacy rights of doctors and the rights of patients, and a neglect of one’s judicial duty.

The judge in the appeal case gave as an argument as to why she wasn’t influenced by the fact that she was on a blacklist herself, that the blacklist for judges wasn’t as impactful as the one for doctors. The court felt that argument irrelevant: “[This is not about] the possibility of a subjective impartiality, but about the objectively justified fear for impartiality”.

In other words, the court wasn’t so much worried that the judge might have a conflict of interest as it was that one of the parties would have the feeling that they were not being treated fairly.

The court will now have to appoint a new judge and then the saga of the plastic surgeon and her pals, the possibly crooked judges, can continue.

Test: scaling images up

I was playing around with scaling up images in The GIMP and stumbled upon a method (scale to larger than you need, then scale down to the desired result) that seemed to get exceptionally good results.

I wanted to find out if this was a fluke, so I ran some tests.

My conclusion appears to be either that playing around to find the right method is exactly what you need, or that more tests are needed.

Scaling images up means that if you have an image of a certain size (w × h pixels), you produce a version of that image that is larger (e.g. 2w × 2h pixels).

Unlike what Hollywood shows like to pretend, this does not lead to images of an equal aesthetic. Upscaling an image generally leads to ugliness, so it is your task to find the method that works best. If you have access to a larger original of the image you are about to scale up, it is almost always better to work from that original image.

Upscaling works by inventing new pixels. The algorithm must take guesses as to what such a new pixel would look like. Typically this works by using neighbouring pixels as hints at least somewhere in the process.

Illustration: how do you scale a 2 pixel wide image to a 3 pixel wide one? You could choose to only copy pixels, meaning that the ratio between the 2 halves of the image will become skewed, or you could choose to mix pixels, meaning there will be colours in the image that weren’t there before.

In the following, your browser may itself scale images up or down to make them fit the available space. I chose widths to scale to that should work fine with the current settings of my blog, but you may have to view the images separately to get a real impression of what they look like.

I started this test with two images:

– The source image, 300 pixels wide.

– The comparison image, 600 pixels wide.

Both images were produced by scaling down (method: cubic) from an approximately 1600 pixel-wide original.

The 300 pixel version would be the source of all the upscale tests, the 600 pixel version would serve as the control—as the ideal target.

All tests were performed with The GIMP.

The GIMP has traditionally had three scaling settings: none, linear and cubic.

‘None’ will try and fit pixels into new pixels, duplicating and discarding pixels where necessary. The result will look blocky regardless of whether you are scaling up and down. In my experience, the best use case for ‘none’ is when you are scaling up or down to exact halves, quarters, eights or doubles, quadruples, octuples et cetera.

‘Linear’ and ‘cubic’ are siblings, they mix pixels where necessary, with cubic doing this the strongest. Cubic is brilliant for scaling down.

I used two target widths: 400 pixels and 600 pixels.

(There is no 400 pixel control image, but I trust the 600 pixel image will suffice here.)

I applied the following tests:

none: scale up to the target width using scaling algorithm ‘none’.

lin: scale up to the target width using scaling algorithm ‘linear’.

cub: scale up to the target width using scaling algorithm ‘cubic’.

none + cub: scale up to more than the target width using scaling algorithm ‘none’, then scale down to the target width using scaling algorithm ‘cubic’.

Scaled to 400 pixels wide (factor 1.3)

Scaled to 400 pixels wide using ‘none’:

Scaled to 400 pixels wide using ‘linear’:

Scaled to 400 pixels wide using ‘cubic’:

Scaled to 400 pixels wide by scaling up to 600 pixels wide using ‘none’, then scaling down to 400 pixels wide using ‘cubic’:

Scaled to 600 pixels wide (factor 2)

Scaled to 600 pixels wide using ‘none’:

Scaled to 600 pixels wide using ‘linear’:

Scaled to 600 pixels wide using ‘cubic’:

Scaled to 600 pixels wide by scaling up to 900 pixels wide using ‘none’, then scaling down to 600 pixels wide using ‘cubic’:

My hope had been that the latter would provide the best upscaled images, but to be honest, I do not see much difference between scaling up with the linear setting and the method where you first scale up and over using none, then scale down using cubic. In fact, having done some pixel peeping I think that I prefer—for this test at least—the images scaled up using the Linear algorithm.

(Show here the difference between a linearly upscaled image and an image scaled up using the scale-over-then-down method.)

All images were saved at JPEG quality level 82, for no other reason than that is my default setting.